This grip allows the artist to clearly see the marks as they are made since the hand and the fingers are out of the way. Marks are made with the tip and the backside of the tip of the pencil. The pencil should actually point back towards the artist. This grip also forces the use of the shoulder in the drawing process.įor this grip, the pencil is held by resting it upon the forefinger and stabilizing it with the thumb and lower fingers. This grip is great for filling in large areas of the medium quickly. The result is a strong mark that has potential for width variance. The pencil lays almost parallel to the drawing surface, forcing the side of the tip of the pencil to make contact. The midsection of the pencil is held between the middle finger and the thumb while pressure is exerted onto the tip of the pencil. This grip is used for forceful applications of the material onto the surface. Generally the tip of the pencil is what makes contact on the drawing surface. It’s also great for when you are making visual comparisons on the surface and laying out the composition. This grip is perfect for creating light and delicate marks. The pencil is held upright and the back edge rests on the crease between your index finger and the base of your thumb. With the “paint brush” grip, the pencil is held in a similar manner to holding a paint brush. You can also create the greatest variety of marks using this grip as well. For drawing large, this grip is – by far, one of the best. This grip is perfect for loose marks and laying out drawing for this very reason. This is essential to “loosening up” with your drawing, which will actually lead to better drawing. Now, why is this grip my favorite? This grip forces you to draw with your shoulder instead of just your wrist. Holding the pencil in this manner allows for the marks to originate from side of the exposed graphite (or charcoal, or colored pencil), instead of the just the tip. The pencil is held loosely between the index finger and the thumb, while the other fingers act to stabilize the pencil. Not many people know that I’m a drummer and this grip is very similar to how one should hold a drumstick. I’m calling this grip “The Drumstick Grip”. It’s not the grip that I use most often, but it’s one that encourages better drawing. Now this grip is favorite for a couple of reasons. Pencil Grip # 2 – The Drumstick Grip (My Favorite) There is quite a lot of control with this grip, which makes it great for details. The tip of the pencil is what makes contact with the surface. But using this grip only limits what we can do with our drawings. It’s just natural to grab a pencil in the way that we are most familiar. When I sit down to draw something, I’ll usually hold the pencil with this grip initially. I’ll admit, this is still my “go to” grip. For many people, this is the only grip that is used for drawing. This is the way that most of us have learned how to grip a pencil from the time we first started learning how to write. The traditional grip is exactly what the title suggests. So, let’s look at a few ways that you can hold your pencil to create different marks in your drawing… Pencil Grip #1 – Traditional Beyond this however, expanding the possibles of how the pencil is held will lead to new ways of making marks, expanding our drawing possibilities. In fact, Plato even acknowledged the importance of variety in artistic composition.īy holding the pencil in different ways, we can instantly create variety in our drawings. It keeps us exploring the picture plane and makes our viewers more engaged in what we produce. Variety, one of the eight principles of art, creates interest in our drawings. It’s also no secret that variety is an important factor in our drawings. By holding the pencil the same way – all of the time – in all of your drawings – you are limiting what is possible as far as mark-making goes. It’s no secret that the way in which you hold your drawing pencil will affect the marks that you make on the drawing surface. But once I opened myself up to holding the pencil in different positions, my drawing greatly improved. It took quite a while for to me to understand the importance of drawing with different grips.
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